
Born in
Naples, Salvatores debuted as a theatre director in 1972, founding in Milan the
Teatro dell'Elfo, for which he directed several avant-garde pieces until 1989.
In that year,
he directed his third feature film, Marrakech Express, which was followed in
1990 by Turné. Both films shared a group of actor-friends, including Diego
Abatantuono and Fabrizio Bentivoglio, who will be present in many of his later
movies. Turné was screened in the Un Certain Regard section at the 1990 Cannes
Film Festival.
In 1991,
Salvatores received international praise for Mediterraneo, which won an Academy
Award as best foreign film. It also won three David di Donatello, the most
important award for Italian cinema, and a Silver Ribbon.
In 1992, he
released Puerto Escondido, from the eponymous novel by Pino Cacucci, in which
Abatantuono and Bentivoglio were joined by another standard actor for
Salvatores, Claudio Bisio. The following year he directed Sud, featuring Silvio
Orlando, an attempt to denounce the political and social situation of the
Mezzogiorno of Italy seen from the point of view of the unemployed and those at
the margins of society.
The main
themes of Salvatores' screenplays are escape from a reality that cannot be
accepted or understood, nostalgia for friends, and voyages that never end. A
new experimental period, however, started in 1997 with Nirvana, a science
fiction/cyberpunk attempt which received mixed reviews. This was followed by
the surreal Denti (Teeth, 2000), and Amnèsia (2002). Both featured Sergio
Rubini.
A good
success was I'm Not Scared of 2003, from the Niccolò Ammaniti novel. In 2005 he
directed the noir Quo Vadis, Baby?. His 2008 film As God Commands was entered
into the 31st Moscow International Film Festival.
Films :
